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Mohanlal Celebrates The Grand Comeback of Kireedam in 4K at IFFI 2025_我的网站

A |       近日，爱依瑞斯携手意大利设计师 Gabriele Cappelletti 设计共创的BAOBAO休闲椅，在三里屯3.3大厦正式亮相。围绕新品发布，爱依瑞斯同步开启“LET'S BAOBAO”限时家居美学快闪展，通过户外6组专属色彩主题艺术展陈及3楼沉浸式家居空间，将时尚家居带入更开放的城市生活现场。    Mohanlal has never hidden his affection for Kireedam, the 1989 drama that shaped his career and left a mark on Malayalam cinema. Now, more than three decades later, the film is back in the spotlight with a world premiere of its 4K restoration at the 56th International Film Festival of India in Goa. The actor shared his excitement on social media, calling the moment an honour and a deeply emotional milestone.A Legendary Film Finds New LightHe revealed that the film was restored from a 35mm release print preserved by the National Film Archive of India. The original camera negative had deteriorated over time, which makes the survival of this print all the more important. Mohanlal thanked the NFDC and NFAI team and highlighted how gratifying it is to see the film revived under the National Film Heritage Mission. He also noted that cinematographer S Kumar personally supervised the final grading, ensuring the restored version stays true to the film's visual soul.For fans who grew up watching Kireedam on VHS tapes and scratchy television reruns, the idea of seeing its emotional churn in crisp 4K is nothing short of a full circle moment.          Delighted to share the world premiere of the 4K restoration of Kireedam (1989), presented as part of the Special Screenings at the 56th IFFI, Goa. The film has been meticulously restored by NFDC – National Film Archive of India from a 35mm release print, thankfully preserved by…     — Mohanlal (@Mohanlal) November 26, 2025          A Story That Has Lost None of Its PowerDirected by Sibi Malayil and written by A K Lohithadas, Kireedam is remembered not for spectacle but for its simple and devastating human core. Mohanlal plays Sethumadhavan, a young man who dreams of joining the police force, only to watch his life twist into tragedy after one fateful confrontation. His performance is often cited as one of the finest in Malayalam cinema, a controlled portrayal of a man crushed by fate and circumstance. The role earned him a Special Jury Mention at the National Film Awards and remains a reference point for actors studying restrained emotional craft.The film’s influence grew with time. It inspired remakes in several languages and continues to be discussed in conversations about the best Malayalam films ever made. Critics still praise its grounded writing and its heartbreaking final stretch, both of which shaped a generation of filmmakers who admired its honesty. The restoration now gives new audiences a chance to experience the film the way it was meant to be seen on the big screen.Also Read: 36 Years of Kireedam: Why This Mohanlal Film Still MattersA Festival Spotlight on India’s Cinematic PastThe return of Kireedam is part of the Indian Panorama Special Package at IFFI 2025, which features eighteen restored classics. These restorations cut across Hindi, Malayalam, Bengali, Marathi, and Telugu cinema and honour the legacy of some of the country’s greatest storytellers. This year's programme carries even deeper meaning as it celebrates one hundred and twenty five years of V Shantaram and marks centenary tributes to legendary names such as Guru Dutt, Raj Khosla, Ritwik Ghatak, Bhupen Hazarika, P Bhanumati, Salil Choudhury, and K Vaikunt.Film enthusiasts attending the festival will notice the growing emphasis on film preservation in India. The restored lineup at IFFI reflects the larger push by the National Film Heritage Mission to protect and revive classics that risk being lost to time. With each restoration, the gap between past and present narrows. Films once limited to aging prints and memories now have a chance to thrive before a new generation.In this context, Kireedam stands as both a tribute and a reminder. It celebrates the power of performance-driven storytelling and underlines why preserving cinema matters. As Mohanlal said, watching the classic return to the screen is an honour. For audiences, it is a gift.Also Read: Fan Calls Rashmika Mandanna ‘Bhabhi’; This Is How She Reacts。  BAOBAO的创作灵感源于大熊猫。设计师Gabriele Cappelletti没有停留于具象的动物造型，而是提取其圆润、柔软、亲近的视觉感受，将“被拥抱”的身体感受转译成一把椅子的轮廓。饱满连续的有机曲线形成环抱式结构，身体落座其中，靠背与扶手自然围合；高密度回弹填充与亲肤弹力面料进一步强化柔软触感，360°旋转结构则让它不必被固定在某一种空间关系里。

B |   由此，“拥抱”不再只是一句关于舒适的营销描述，而成为一套可以被看到、触摸并真实体验的设计语言。BAOBAO所回应的，是近年来越来越明显的一种居住需求变化：在基础功能之外，家具开始承担更多与安全感、放松感、心理慰藉有关的价值。  如果说圆润、包裹的形态建立了BAOBAO最基础的产品识别，那么色彩则进一步打开了它与不同生活方式之间的关系。此次三里屯快闪现场，爱依瑞斯围绕BAOBAO打造了六组专属色彩主题展陈。

C | 明亮、浓烈、清冷、自然，不同色调落在同一件产品上，呈现出的却是截然不同的情绪和空间气质。

D |   爱依瑞斯将BAOBAO带到三里屯，其意义也不止于“来到年轻人更多的地方”。它意味着一个传统上更多出现在家居卖场中的品牌，开始主动把自己放进国际时尚、艺术设计与高端生活方式品牌共同竞争注意力的城市现场。家具因此不再等待消费者为了装修需求专程寻找，而是主动进入消费者逛街、社交、看展、拍摄与体验的生活路径。  爱依瑞斯此次选择三里屯，本身就是品牌定位的一次表达——它希望被看见的，不只是一件家居产品，也是一种可以与时装、艺术和城市生活发生关系的当代家居审美。  BAOBAO的另一个关键词，是“原创”。据悉，此次合作并不是爱依瑞斯第一次连接意大利设计力量。自品牌发展早期开始，爱依瑞斯便持续与意大利设计师展开产品合作，并逐渐将国际设计资源纳入长期产品研发体系。  活动上，爱依瑞斯进一步公布了BAOBAO后续城市联动计划。继北京三里屯之后，这一产品及其相关体验有望陆续进入上海、成都、杭州等更多城市。

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